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virtual art work

Intérieur 15, 2014, C-Print, 100 x 177 cm

3d design

Intérieur 13, 2014, C-Print, 100 x 177 cm

art contemporain france

Intérieur 14, 2014, C-Print, 100 x 177 cm

pig red

Pig , 2004, C-Print, 100 x 100 cm

Intérieur 12, 2013, C-Print, 100 x 177 cm

Pig 4, 2009, C-Print, 100 x 100 cm

peinture virtuelle

Peinture 7, 2011, C-Print, 70 x 124 cm

peinture numerique

Peinture 5, 2011, C-Print, 70 x 124 cm

Peinture 3, 2011, C-Print, 70 x 124 cm

grassbug
artwork grass
portrait herbe

Grassbug 6, 2008, C-Print, 100 x 100 cm

Grassbug 7, 2008, C-Print, 100 x 100 cm

Grassbug 8, 2008, C-Print, 100 x 100 cm

phytotron

Phytotron 7, 2011, C-Print, 127 x 207 cm

virtual landscape

Xenobiosis 2, 2007, C-Print, 127 x 200 cm

art numerique contemporain

Xenobiosis 16, 2012, C-Print, 106 x 200 cm

jet d'encre sur bache

Green World, 2006, jet d’encre sur bâche, 270 x 790 cm

But this world is not organic, it is digital; the proliférant is quantifiable, the muddle and disorder are fictitious and are not pretending to be real. Digital complexity makes use of randomness, the realistic movements and textures given to unreal forms plunge the viewer into a state of uncertainty, playing on the confrontation between what he sees and what he knows, between tangible elements and mental images. 

Michel Huelin, Invasive species, 2004

virtual world

Phénotypes 5, 2006, C-Print, 125 x 200 cm

weeds
contre jour
dechets

Floating Weeds 5, 2006, C-Print, 125 x 125 cm

Floating Weeds 3, 2006, C-Print, 125 x 125 cm

Sans titre, 2004, C-Print, 90 x 160 cm

portrait
personnage herbe
artiste suisse

Biocenosis 1, 2004, C-Print, 125 x 125 cm

Biocenosis 2, 2004, C-Print, 125 x 125 cm

Biocenosis 4, 2004, C-Print, 125 x 125 cm

eprouvette et art contemporain

Specimen Tubes, 2006, C-Print, 90 x 160 cm

edition artistique

Sans titre, 2003, C-Print, 75 x 75 cm

incubateur art

Incubateur 2, 2006, C-Print, 90 x 137 cm

art et genetique

Genetic, 2002, alkyd on Dibond, 100 x 200 cm

peinture abstraite

Organic 2, 2002, alkyd on Dibond, 100 x 200 cm

© Michel Huelin

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